RICHARD WILSON

Curriculum Vitae as of August 2006

Born: Cleveland, Ohio, May 15, 1941

Profession:  Composer, Pianist, Lecturer, Teacher of Music

Present Positions: Professor of Music, on the Mary Conover Mellon Chair,

Vassar College; Composer-in-Residence, American Symphony Orchestra

Address: 27 Vassar Lake Drive, Poughkeepsie, New York  12603

Telephone: 845-471-4620 (home); 845-437-7326 or 437-7319 (college).

Fax: 845-471-6752 (home) E-mail: riwilson@vassar.edu

Web Site: www.richardwilson.org

Marital Status: married to Adene Stevenson Green, May 15, 1971

Children:   Katherine Blanca Wilson, born May 21, 1976

                   James Graham Wilson, born April 17, 1980

Formal Education:

·         Rutgers University   1964-1966  M. A. 1966 in Music Theory

      Master's Composition: Fantasy and Variations

·         Harvard University  1959-1963 A. B. 1963 magna cum laude in music

      Honors Thesis: "Syncopation in the Works of Robert Schumann"

·         Euclid Senior High School   1956-1959 Diploma in 1959

Applied Music Study:

·         Piano

o       1963 Friedrich Wührer, Munich

o       1960 Leonard Shure, Aspen and New York City

o       1954-1959 Egbert Fischer and Leonard Shure, Cleveland Music

      School Settlement

o       1948-1954 Roslyn Raish Pettibone, Timberlake, Ohio

·         Cello

o       1953-1958 Ernst Silberstein (then Principal, Cleveland Orchestra)

o       1951-1953 Robert Ripley (then Cleveland Orchestra, later Boston

      Symphony)

·         Theory

o       1954-1958 Cleveland Music School Settlement

·         Composition

o       1955-56 Howard Whittaker, Cleveland Music School Settlement

o       1962-66 Robert Moevs, Harvard University, American Academy

      in Rome, Rutgers University

Positions Held:

·         Chair, Department of Music,Vassar College, 1979-1982; 1985-1988; 1995-1998.

·         Composer-in-Residence, American Symphony Orchestra, 1992-

·         Professor of Music, Vassar College, 1976-(Mary Conover Mellon Chair,1988-)

·         Associate Professor of Music, Vassar College, 1970-1976.

·         Assistant Professor of Music, Vassar College, 1966-1970.

·         Teaching Assistant, Rutgers University, 1965-1966.

·         Teacher of Music Theory, Chautauqua Institution, summers 1966 and 1967.

Awards, Prizes, Commissions, and Other Distinctions:

·         2006/07 Roger Sessions Memorial Bogliasco Fellowship in Music.

·         ASCAP Award for professional distinction annually since 1970.

·         Invited to contribute to Yale Oral History of American Music, Nov., 2004

·         Academy Award in Music, American Academy of Arts and Letters, 2004

·         Commission from The Fromm Foundation for Piano Trio, 2000

·         Member Visiting Committee, Department of Music, Duke University, 1998.

·         Guest at Villa Serbelloni, Bellagio, Lake Como, Italy, Summer, 1997.

·         Commission from Chicago Chamber Musicians,1997. (String Quartet No. 4)

·         Koussevitzky Foundation Commission, 1996. (Triple Concerto)

·         Stoeger Prize from Chamber Music Society of Lincoln Center, 1994.

·         Guggenheim Fellowship for music composition in 1992-93.

·         Member Visiting Committee, Department of Music, Wellesley College, 1992.

·         Figuration chosen one of several equal  winners in the national competition  sponsored by the League of Composers/ISCM, January, 1990.

·         Commission from Mae and Irving Jurow Foundation through the Library of Congress for Persuasions, premiered  November 30, 1990.

·         County Executive's Award for an Individual Artist from the Dutchess County Arts Council 1989

·         Commission from Chamber Music America and the Pew Charitable Trust for Affirmations, for the Da Capo Chamber Players. Premiere given at 92nd St. Y, NYC, on March 7, 1991.

·         Commission from the San Francisco Symphony for a major work,

·         Articulations, for their 1988-1989  season.  Premiere May, 1989.

·         Appointed to three-year term on Visiting Committee, Harvard Music

·         Department, beginning July 1, 1989. (Reappointed in 1992.)

·         Awarded the 1988 Cleveland Arts Prize for creative achievement in music.

·         Named to Mary Conover Mellon Chair in Music at Vassar in Spring, 1988.

·         Commission from Dutchess Arts Council for a work honoring the 300th anniversary of the founding of the city of Poughkeepsie. (Jubilation, for wind ensemble)

·         Commission from the Hudson Valley Philharmonic for Symphony No. 2.

·         The Walter Hinrichsen Award given by The American Academy of

      Arts and Letters, 1986.

·         Commission from Margaret Mills for Intercalations, for piano solo.

·         Commission from the Walter W. Naumburg Foundation for String Quartet No. 3., written for the Muir Quartet.

·         Burge-Eastman Prize awarded to Eclogue, 1978.

·         August 22 cited in Brown University Choral Competition, 1976.

·         Eclogue chosen one of several equal winners in League of Composers/ISCM Piano Music Competition in 1976.

·         Music for Solo Flute commissioned by Harvey Sollberger.

·         Music for Solo Cello commissioned by Fred Sherry.

·         String Quartet No. 1 a finalist in Le Concours de Composition de Quatour à cordes, Liège, 1969.

·         George Arthur Knight Prize in Composition, Harvard, for Suite for Five Players,  1963.

List of Compositions:

·         Gravitas for solo contrabass 2006

·         Chamisha Tehillim for soprano, baritone, and orchestra 2006

·         Three Songs on Poems of Paul Kane for mezzo-soprano and marimba  2006

·         Visits to St. Elizabeths (E. Bishop) mezzo-soprano and piano  2005

·         Brash Attacks, for trumpet and trombone 2004

·         Diablerie for solo violin  2004

·         Four Love Songs for soprano and orchestra  2004

·         Senza Furore for flute, clarinet, viola and piano  2004

·         Organicity for solo organ  2003

·         Peregrinations for viola and orchestra  2002

·         Revelry for full orchestra [becomes Silhouette with Revelry]  2002

·         Piano Trio  2002

·         Canzona for horn and string quartet  2001

·         Three Songs on Poems by John Ashbery 2000

·         Motivations for cello and piano 2000

·         Intimations for piano and orchestra 1999

·         Triple Concerto for horn, bass clarinet, and marimba  1999

·         String Quartet No. 4  1998

·         Transfigured Goat, for mezzo soprano, baritone, clarinet and piano  1996

·         Two Interludes for violin and piano 1996; a Third Interlude added in 1998.

·         “Lights on the River”, for high voice and piano (Katherine Anne Porter) 1996

·         Pamietam—for mezzo soprano and orchestra 1995

·         Five Love Songs, high voice and piano, on poems of John Skelton  1995

·         Agitations—for full orchestra  1994

·         Æthelred the Unready—opera in one act.  1993-4; rev. 2001

·         Civilization and its Discontents—for tuba solo.  1992

·         On the Street, for baritone and piano or baritone and strings.  1992

·         The Second Law, for baritone and piano 1991

·         Touchstone, for solo flute 1991

·         Concerto for Piano and Orchestra  1991

·         Persuasions—a setting of poems of Thomas Carew for soprano, flute, oboe, bassoon and harpsichord    1990

·         Affirmations (for flute, clarinet, violin, cello and piano)  1990

·         Intonations: Five Pieces for Solo Horn  1989

·         Sonata for Viola and Piano  1989

·         Articulations, for Full Orchestra  1989

·         Tribulations, five songs for voice and piano, 1988

·         Suite for Small Orchestra  1988

·         Contentions, for chamber ensemble  1988

·         Silhouette, for full orchestra  1988

·         Music for Solo Viola  1988

·         Lord Chesterfield to His Son, for solo cello, 1987

·         Jubilation, for wind ensemble, 1987

·         Symphony No. 2  1986

·         Intercalations, for solo piano, 1986

·         Fixations, for solo piano, 1985

·         Flutations, for solo flute, 1985

·         Symphony No. 1  1984

·         Three Painters, (poems by Phyllis McGinley), voice and piano 1984                                                

·         A Child's London, six easy piano pieces,  1984

·         Line Drawings, for two clarinets, 1984

·         Concerto for Bassoon and Chamber Orchestra  1983

·         Suite for Winds  1983

·         Dithyramb, for oboe and clarinet, 1982

·         String Quartet No. 3 1982

·         Character Studies, for oboe and piano,  1982

·         Gnomics, for flute, oboe and clarinet, 1981

·         Wiegenlied, arr. of Brahms song for chamber orchestra, 1981

·         Short Notice, for clarinet and cello, 1981

·         Eleven Sumner Place, for symphonic band, 1981

·         A Theory, (poem by Musa Guston)  soprano and vibraphone, 1980

·         Figuration: Music for Clarinet, Cello, and Piano  1980

·         Profound Utterances: Music for Solo Bassoon  1980

·         Concerto for Violin and Chamber Orchestra  1979

·         In Schrafft's, new setting of Auden’s poem for mixed chorus, clarinet,

            harpsichord and marimba  1979

·         Deux pas de trois: Pavane and Tango, for flute, oboe and harpsichord  1979

·         Sour Flowers: Eight Piano Pieces in the Form of an Herbal,  1979

·         Serenade: Variations on a Simple March, for clarinet, viola, and bass   1978

·         String Quartet No. 2   1977

·         August 22, a setting of John Unterecker's poem for mixed chorus, piano and percussion, 1976

·         The Ballad of Longwood Glen, a setting of Vladimir Nabokov's poem for tenor and harp   1975

·         Eclogue, for solo piano, 1974

·         Wind Quintet, 1974

·         Music for Solo Flute, 1972

·         Hunter's Moon, a setting of Stephen Sandy's poem for mixed chorus, 1972

·         Elegy, a setting of Stephen Sandy's poem, "Thanksgiving in the Country," for mixed chorus   1971

·         Music for Solo Cello,  1971

·         Home from the Range, setting of Stephen Sandy's poem,mixed chorus, 1970 

·         Initiation: Music for Full Orchestra   1970

·         Quartet for Flutes, String Bass, and Harpsichord   1969

·         Soaking, a setting of Stephen Sandy's poem for mixed chorus  1969

·         Music for Violin and Cello   1969

·         String Quartet No. 1

·         Light in Spring Poplars, setting of Stephen Sandy's poem, mixed chorus, 1968 

·         Can, a setting of Stephen Sandy's poem for mixed chorus  1968

·         A Dissolve, a setting of Stephen Sandy's poem for women's chorus, 1968

·         Concert Piece for Violin and Piano,  1967

·         In Schrafft's, a setting of Auden's poem for men's chorus and piano four-hands 1966

·         Fantasy and Variations for Chamber Ensemble  1965

·         Trio for Oboe, Violin and Cello  1964

·         Three Short Pieces for Piano  1964

·         Suite for Five Players   1963

Publications (music):

·         Diablerie, for violin solo—Peermusic Classical  2006

·         Flutations, for flute solo—Peermusic Classical 2006

·         Organicity, for organ solo—Peermusic Classical 2006

·         Piano Trio—Peermusic Classical 2006

·         Brash Attacks, for trumpet and trombone—Peermusic 2006

            Note: the following six titles, originally issued by Boosey and

                Hawkes, were reissued by Peermusic Classical in 2002:

·         Eclogue

·         Sour Flowers

·         The Ballad of Longwood Glen

·         August 22

·         Profound Utterances

·         Music for Solo Flute

·         Three Interludes for Violin and Piano, Peermusic, 2000

·         A Child’s London, for piano, Peermusic, 1996

·         Three Short Pieces for Piano, Peermusic, 1996

·         Civilization and Its Discontents, for solo tuba, Peermusic, 1996

·         Touchstones, for solo flute, Peermusic, 1996

·         Five Love Songs on Poems of John Skelton, Peermusic, 1996

·         Lord Chesterfield to His Son, Peermusic, 1996

·         Silhouette for Orchestra, Peermusic, 1996

·         Eight Comic Songs for high voice and piano  Peer-Southern, 1995

·         The Second Law, in AIDS QUILT SONGBOOK.  Boosey and Hawkes. 1994.

·         Flutations, solo flute, in NFA FLUTE ANTHOLOGY. Oxford Press. 1993.

·         Intercalations, for piano solo.  Peer-Southern,  1991.

·         Fixations, for piano solo.  Peer-Southern,  1991.

·         Figuration: Music for Clarinet, Cello and Piano.  Henmar (C. F. Peters), 1989

·         Gnomics: Music for Flute, Oboe and Clarinet.  Peer-Southern, 1989

·         String Quartet No. 3.  Peer-Southern, 1989

·         Line Drawings, for two clarinets,  Peer-Southern, 1987.

·         Dithyramb, for oboe and clarinet. Peer-Southern, 1987.

·         Elegy, for SATB chorus a cappella.  G. Schirmer Inc., 1985.

·         Profound Utterances: Music for Solo Bassoon.  Boosey and Hawkes, 1984.

·         The Ballad of Longwood Glen, tenor and harp.  Boosey and Hawkes, 1983.

·         Sour Flowers: 8 Pieces in the Form of an Herbal. Boosey and Hawkes. 1982.  

·         August 22, mixed chorus, percussion and piano.  Boosey and Hawkes,1981.

·         Eclogue, for solo piano.  Boosey and Hawkes Inc., 1980.

·         Music for Solo Flute.  Boosey and Hawkes Inc., 1977

·         Can, for mixed chorus, J. Fisher/Belwin Mills, 1973.

·         Home from the Range, for mixed chorus, G. Schirmer Inc.,  1971.

·         Soaking, for mixed chorus. G. Schirmer Inc., 1970.

·         Light in Spring Poplars.  G. Schirmer Inc., 1970.

·         A Dissolve.  G. Schirmer Inc., 1970.

Publications (prose):

·         Letters to the editor, the NY Times, published on October 12, 2003 and February 27, 2005.

·         Liner notes for CD of orchestral works by Aaron Copland, George Perle, Roger Sessions and Bernard Rands on New World Records, performed by the American

      Symphony, Leon Botstein, conducting.  2005.

·         Liner notes for Beethoven Piano Sonatas Nos. 28, 30 and 32 (2004)

            performed by Blanca Uribe on MSR Classics MS1117

·         Liner notes for Beethoven Piano Sonatas Nos. 29, and 31 performed by Blanca Uribe on MSR Classics label.

·         Liner notes for Brahms Concerto in Bb performed by Francois-Frederic Guy with London Philharmonic on naïveclassique label.  (2003)

·         Liner notes for works by George Szell and Robert Heger on Arabesque 6752. Conducted by Leon Botstein. (2003)

·         Essays on Piano Concertos in D minor and Bb major in The Compleat Brahms, ed. Leon Botstein. Norton. (New York, 1999).

·         Program notes for “Tchaikovsky: The Virtuoso”, (including Symphony No. 4, Concert Fantasia in G and Valse-Scherzo). Lincoln Center Stagebill, October 31, 1998.

·         Program notes for Mozart Concerto No. 26, K. 537. May 1/2, 1998. American Symphony Chamber Orchestra.

·         Liner notes for “Of Challenge and of Love: Complete Songs for Solo Voice and Piano by Igor Stravinsky and Elliott Carter.” Koch International CD with Lucy Shelton, soprano, and John Constable, piano.  October, 1997.

·         Program notes for Mendelssohn String Symphony No. 8 and Schubert Symphony No. 2. September 5/6, 1997.  American Symphony Chamber Orchestra.

·         Program note on Coleridge-Taylor’s Hiawatha, Lincoln Center Stagebill, November 1993, 20L.

Recordings:

·         Piano Trio, Motivations, Figuration, Interludes, Lord Chesterfield to His Son, Diablerie released by Albany Records (TROY 773) in July, 2005

·         Three Painters, performed by Georgine Resick, soprano, and Warren Jones, piano, by Bridge (9152) released in 2004

·         String Quartets 3 and 4 with Canzona released by Albany Records, (TROY 573) in 2003

·         Æthelred the Unready, released by Albany Records (TROY 512) in June, 2002.

·         Affirmations, Transfigured Goat, Intercalations released by Albany Records (TROY 389) in 2000.

·         A Child's London, released by Ongaku Records in 1999; CD entitled 'Once Upon a Time'.  Haskell Small, piano, Robert Aubry Davis, narrator.

·         Symphony No. 1 by New Zealand Symphony, James Sedares, conducting; Sonata for Viola and Piano, Misha Amory and Blanca Uribe; Tribulations, Mary Ann Hart and Richard Wilson; Gnomics. Koch International. Released in November, 1999.

·         Stresses in the Peaceable Kingdom:  The Choral Music of Richard Wilson Includes: In Schrafft’s, Poor Warren, August 22, and seven a cappella choruses on poems by Stephen Sandy.  The William Appling Singers.  Albany Records (TROY 333). Released in May, 1999.

·         The Second Law on Heartbeats: New Songs from Minnesota for the AIDS                Quilt Songbook. Tony Holt, baritone; John Jensen, piano. Innova No. 500. (1994)

·         Persuasions, Lord Chesterfield to his Son, Fixations, Sonata for Viola and Piano. Albany Records  TROY 074. (1993)

·         Concerto for Piano and Orchestra. Blanca Uribe, piano, Leon Botstein,

            conducting,  Pro Arte Chamber Orchestra. of Boston.   CRI CD 618. (1992)

·         Rerelease on CD of String Quartet No. 3, Ballad of Longwood Glen, Eclogue, Concert Piece for Violin and Piano, Music for Solo Flute, Music for Violin and Cello.  CRI CD 602.  (1991)

·         Three Painters. Paul Sperry, tenor,  Irma Vallecillo, piano. Albany Records.  TROY 058.  (1991)

·         Concerto for Bassoon and Chamber Orchestra, Suite for Small Orchestra.  Robert Wagner, bassoon, Leon Botstein, conducting; Pro-Arte Chamber Orchestra of Boston on CRI CD-575.   (1990)

·         Intercalations, Margaret Mills, piano, on NCD 60048 (1988)

·         Line Drawings, Gnomics, Dithyramb, and Serenade on Opus One No. 130.  (1987)

·         String Quartet No. 3.  The Muir Quartet, on CRI SD-526.   (1986)

·         Figuration.  David Krakauer, clarinet; Warren Lash, cello; and Blanca Uribe, piano; on Opus One No. 92.  (1984)

·         Eclogue.  Blanca Uribe, piano; and The Ballad of Longwood Glen.  Paul Sperry, tenor and Nancy Allen, harp, on CRI  SD-437

·         Music for Solo Flute.  Harvey Sollberger, flute; and Concert Piece for Violin and Piano.  Rolf Schulte, violin, and Ursula Oppens, piano, on CRI  SD-315.

·         Music for Violin and Cello.   Yoko Matsuda, violin, Fred Sherry, cello; on CRI SD271.

Selected Listing of Performances of Compositions:

·         July 23, 2006  Rochester Christian Reformed Church, Rochester, NY, Carsoon Cooman performs selections from Organicity.

·         July 15, 2006  Trinity Cathedral, Pittsburgh, PA, Carson Cooman performs selections from Organicity.

·         June 22, 2006  Mannes College, Diablerie performed by Rolf Schulte.

·         January 27, 2006  Vassar College, World Premiere of Senza Furore for flute, clarinet, viola and piano.

·         January 24, 2006  Gettysburg College, Three Painters by Jeffrey Fahnestock and Jocelyn Swigger.

·         October 2, 2005  Merkin  Concert Hall, Visits to St. Elizabeth by Mary Nessinger

·         July 3, 2005   Vassar College: Diablerie by Rolf Schulte.

·         May 8, 2005 Boston Conservatory: Three Painters by Amanda Forsythe, soprano.

·         March 27, 2005   Vassar College: Diablerie by Rolf Schulte.

·         February 6, 2005  Merkin Concert Hall: Transfigured Goat, with Mary Nessinger, Robert Osborne, Allen Blustine and Richard Wilson.

·         January 30, 2005   Vassar College Modfest: Transfigured Goat, with Mary Nessinger, Robert Osborne, Allen Blustine and Richard Wilson.

• January 26, 2005    Vassar College Modfest: Brash Attacks, for trumpet and trombone.  World premiere by Sycil Mathai and Mike Boschen. 
• October 15, 2004    Third Street Music School Settlement, NYC, Dithyramb by Leclair, oboe, and Baeza, clarinet.
• September 9, 2004  Merkin Concert Hall, Motivations by Sophie Shao and Richard Wilson; Figuration by Allen Blustine, Sophie Shao, and Richard Wilson; Diablerie (premiere) by Rolf Schulte.
• June 27, 2004   Vassar College Motivations for cello and piano by Sophie Shao and Richard Wilson; Figuration for clarinet, cello and piano, by Allen Blustine, Sophie Shao, and Richard Wilson.
• June 7, 2004  Mannes College Three Interludes for violin and piano.
• June 5, 2004   Vassar College Organicity excerpts by Merellyn Gallagher, organ.
• May 21, 2004    Fisher Center, Bard College, Four Love Songs on Poems by John Skelton (premiere) by Karen Holvik and American Symphony, Leon Botstein conducting.
• April 10, 2004    Bruno Walter Auditorium Grandma Moses sung by Paul Sperry.
• February 20, 21  Fisher Center, Bard College, Silhouette with Revelry (premiere) by American Symphony, Leon Botstein conducting.
• February 15, 2004 Merkin Concert Hall Eclogue by Blanca Uribe and at Princeton University Motivations by Sophie Shao.
• February 1, 2004  Vassar College Eclogue by Blanca Uribe
• January 24, 2004   Vassar College Contentions for Chamber Ensemble                        (premiere) and Organicity (excerpts premiered).

·         Sept. 7, 2003 Merkin Concert Hall,  Lord Chesterfield to His Son by Sophie Shao

·         March 30, 2003   Merkin Concert Hall, String Quartet No. 4 by Chicago String Quartet

·         February 2, 2003  Vassar Lord Chesterfield to His Son by Sophie Shao.

·         January 31, 2003   Vassar; March 15, 2003 at Reading, PA; March 17, 2003 at Mannes Piano Trio by The Mannes Trio.

• June 30, 2002 at Vassar; September 18, 2002 at Cosmos Club (DC); September 27, 2002, St. Mary’s College; Merkin Hall, January 5, 2003 Three Interludes for  Violin and Piano, Rolf Schulte, violin, Richard Wilson, piano.

·         April 13, 2002 STRING QUARTET NO. 3 in Merkin Hall, NYC, by CSQ

• March 3, 2002  STRING QUARTET NO.  3 in Georgetown, Texas, by CSQ
• February 8, 2002 CANZONA (premiere) and STRING QUARTET NO. 3 at Vassar by CCM
• August 12, 2001 STRING QUARTET NO. 4 at Maverick Concerts by Chicago String Quartet
• February 23, 2001   MOTIVATIONS, for cello and piano, The Fischer Duo,  Shepherd School of Music, Rice University
• February 20, 2001    STRING QUARTET NO. 4   The Chicago String Quartet  De Paul University, Chicago
• November 30, 2000   LORD CHESTERFIELD TO HIS SON, Wolfgang Panhofer, cello, Alte Schmiede, Vienna,   part of Wien Modern Festival
• November 20, 2000  THREE INTERLUDES FOR VIOLIN AND PIANO, Rolf Schulte, violin, James Winn, piano  Merkin Concert Hall, NYC  (New York Premiere)
• November 16, 2000  THREE INTERLUDES FOR VIOLIN AND PIANO,  Rolf Schulte, violin, James Winn, piano  Paine Concert Hall, Harvard University
• July 12, 2000  THREE INTERLUDES FOR VIOLIN AND PIANo, Rolf Schulte, violin, Richard Wilson, piano    Skinner Hall, Vassar College
• June 18, 2000 FLUTATIONS for solo flute, Bard College
• June 1, 2000  LORD CHESTERFIELD TO HIS SON, Wolfgang Panhover, Weill Hall, NYC,
• March 12, 2000     CHARACTER STUDIES for oboe and piano, Butler and Lifshutz, NYC.
• February 11, 2000  INTIMATIONS, RW with ASCO, Bard College (premiere)
• February 12, 2000  INTIMATIONS, RW with ASCO, Vassar College
• December 5, 1999   A CHILD'S LONDON by Vassar Orchestra, Frances Fergusson, narrator, at Vassar
• November 6, 1999  THREE INTERLUDES for Violin and Piano, Rolf Schulte and Richard Wilson, at Vassar
• October 16, 1999   THREE PAINTERS at Music Teachers Conference, Vassar College 
• July 8, 1999  AFFIRMATIONS and TRANSFIGURED GOAT Skinner Recital Hall, Vassar College; Uribe, Fedele, Blustine, Schulte, Lawson; Hart, Lalli, Blustine, Wilson.

·         May 5, 1999 AUGUST 22 at Mannes College of Music, NYC, Mark Shapiro,

      conducting.

·         Mar. 17, 1999  TRIPLE CONCERTO FOR HORN, BASS CLARINET AND MARIMBA Avery Fisher Hall, Lincoln Center, NYC, the American Symphony, Leon Botstein, conductor.  Jeffrey Lang, horn, Dennis Smylie, bass clarinet, William Moersch, marimba.

·         Feb. 28, 1999 THREE INTERLUDES FOR VIOLIN AND PIANO  Skinner Recital Hall, Vassar College; by Rolf Schulte and Richard Wilson.

·         Sept. 11, 1998 THE BALLAD OF LONGWOOD GLEN Cornell University by Paul Sperry and Nancy Allen.  Part of Nabokov centennial.

·         June 6, 1998 INTERCALATIONS at Olin Aud., Bard College, by Blanca Uribe

·         June 5, 1998  SOUR FLOWERS on Rhine Cruise Ship “River Cloud” by Richard Wilson

·         May 21, 1998 STRING QUARTET No. 4 at Museum of Contemporary Art, Chicago, by The Chicago String Quartet.

·         Mar. 29, 1998  INTERCALATIONS  at Skinner Hall, Vassar College, by Blanca Uribe

·         Feb. 21, 1998  SUITE FOR SMALL ORCHESTRA at Bardavon Opera House, by Hudson Valley Philharmonic, Randall Craig Fleischer, conducting.

·         Feb. 20, 1998  SUITE FOR SMALL ORCHESTRA in Newburgh, NY by Hudson Valley Philharmonic, Randall Craig Fleischer, conducting.

·         Feb. 15. 1998  STRING QUARTET No. 4 in Sedona, AZ, by The Chicago String Quartet.

·         Jan. 20, 1998 STRING QUARTET No. 4 at Skinner Hall, Vassar College, by The Chicago String Quartet.

·         Jan. 17, 1998 STRING QUARTET No. 4 at 92nd Street YMHA, NYC, by The Chicago String Quartet  (premiere).

·         Nov. 23, 1997 THREE INTERLUDES FOR VIOLIN AND PIANO  Skinner Recital Hall, by Joseph Genualdi and Richard Wilson.

·         Mar. 9, 1997 A CHILD’S LONDON, orchestrated and with narration, Millbrook, NY,  by Woodstock Chamber Orchestra, Luis Garcia-Renart, conducting.

·         Mar. 8, 1997 A CHILD’S LONDON, orchestrated and with narration, Kingston, NY, by Woodstock Chamber Orchestra, Luis Garcia-Renart, conducting. (World Premiere)

·         Nov. 8, 1996  TRANSFIGURED GOAT, Skinner Recital Hall, by Mary Ann Hart, Richard Lalli, Larry Guy, and Richard Wilson. (World Premiere)

·         July 25, 1996 TWO INTERLUDES FOR VIOLIN AND PIANO   Skinner Recital Hall, Vassar College; by Joseph Genualdi and Richard Wilson.

·         May 3, 1996 SOUR FLOWERS, Richard Wilson, piano, Vassar Club of Chicago, Three Arts Club.

·         Mar.  30, 1996 TOUCHSTONES—for solo flute,  Skinner Recital Hall, by Margit Dijkstra.

·         Mar. 12, 1996 SONATA FOR VIOLA AND PIANO, Misha Amory, viola, Blanca Uribe, piano,  Menill Collection, Houston, TX.

·         March 22, 1996 CIVILIZATION AND ITS DISCONTENTS—for solo tuba; Skinner Hall, Vassar College; by Stephen Johns.

·         Dec. 11, 1995  AGITATIONS, Sau Paulo Symphony, Sau Paulo, Brazil, Leon

      Botstein, conducting.

·         Nov. 12, 1995  THREE SHORT PIECES, in NYC, by Peter Vinograde, piano.

·         Oct. 30, 1995  PAMIETAM  Merkin Hall, NYC, the American Symphony Chamber Orch., Leon Botstein, conductor, Mary Ann Hart, mezzo soprano.

·         Aug. 30, 1995 FIVE LOVE SONGS on Poems of John Skelton; Skinner Recital Hall, Vassar College; Three songs performed by Mary Ann Hart and Richard Wilson

·         June 6, 1995  THREE PAINTERS, Mary Ann Hart, at Bruno Walter Auditorium, Lincoln Center

·         April 23, 1995  ECLOGUE, by Mary Frantz, Weidner Center, Green Bay, WI.

·         Mar. 31, 1995 SONATA FOR VIOLA AND PIANO, Walter Trampler, viola, Blanca Uribe, piano, Skinner Hall Vassar.

·         Mar. 28, 1995  POOR WARREN, Skinner Recital Hall, Vassar College; The Vassar Madrigal Singers, William Appling, conductor.

·         Feb. 10, 1995 CONCERTO FOR PIANO AND ORCHESTRA, Residentie Orkest, The Hague, G. Ostkamp, conductor, B. Uribe, piano.

·         Sept. 10, 1994 ÆTHELRED THE UNREADY, Scenes II-VI, at Vassar College. American Symphony Chamber Orchestra, Leon Botstein, conducting, Jan Opalach as Æthelred, Karen Holvik as Emma, Judith Malafronte as Clio, Tom Bogdan as William of Malmesbury.

·         July 17, 1994  AGITATIONS by American Symphony, at Stokowski Conducting Competition, Avery Fisher Hall

·         May 22, 1994  ARTICULATIONS, by the American Symphony Orchestra,

      Avery Fisher  Hall, Lincoln Center. Leon Botstein, conductor.

·         May 12, 1994   FIGURATION, by Flax, Wyrick and Wilson, Vassar College.

·         April 4, 1994  SONATA FOR VIOLA AND PIANO, by Trampler and Uribe,

      Chamber Music  Society of Lincoln Center, Walter Reade

      Theatre, Lincoln Center.

·         Feb. 26, 1994   MUSIC FOR VIOLIN AND CELLO, Rhinebeck Chamber Music Society.

·         January, 1994 SILHOUETTE, by the American Symphony, in Nogoya,Okayama, Fukuoka,Tokyo, Sendai, Koriyama, Osaka, on tour of Japan.

·         June 4, 1993   THE SECOND LAW. Jan Opalach, bass, Wm. Huckaby, piano. AIDS QUILT  SONGBOOK in Jordan Hall, Boston.

·         May 7,8  1993 ÆTHELRED THE UNREADY: Scene One.  Jan Opalach, bass, 

      Karen Holvik,  soprano, American Symphony Chamber

      Orchestra, Leon Botstein,  conducting. Bard and Vassar.

·         Nov. 24, 1992  MUSIC FOR VIOLIN AND CELLO, CHARACTER STUDIES FOR OBOE AND  PIANO, PERSUASIONS, THREE PAINTERS, AFFIRMATIONS.  Skinner Hall.

·         Oct. 8, 1992    FIGURATION, by Gotham Chamber Ensemble, Greenwich House Music  School, NYC.

·         June 4, 1992   THE SECOND LAW, with Will Parker and Alan Marks, AIDS QUILT SONGBOOK in Tully Hall.

·         March 22, 1992 THREE PAINTERS, with Amy Burton, soprano, John Musto, piano, at the NY Fest. of Song.  Greenwich House Music School

·         March 6,  1992 PERSUASIONS, with Diane Ragains, soprano, Ralph Shapey,

      conducting,  Contemporary Chamber Ensemble at the

·         University of Chicago.

·         Feb. 16, 1992   CONCERTO FOR PIANO AND ORCHESTRA, Blanca Uribe, piano, and Pro  Arte Chamber Orchestra of Boston, Leon Botstein,

      conducting, Sanders Theater, Harvard.

·         Jan. 26, 1992   STRING QUARTET NO. 3, by Juilliard performers, in FOCUS!, Juilliard   Theater.

·         Nov. 14, 1991  FIXATIONS, LIGHT IN SPRING POPLARS, SOAKING, CAN, LORD CHESTERFIELD TO HIS SON, SONATA FOR VIOLA AND PIANO, INTONATIONS at Greenwich House Music School by Uribe, Sherry, Trampler, Purvis, and Vassar Madrigal Singers.  

·         May 5, 1991   CONCERTO FOR PIANO AND ORCHESTRA, by Blanca Uribe, piano, and Hudson Valley Philharmonic Chamber Orchestra, Leon Botstein, conducting.  Alice Tully Hall.  (World Premiere)

·         May 5, 1991   SYMPHONY NO. 2, by Hudson Valley Philharmonic Chamber

·         Orchestra,   Leon Botstein, conducting.  Alice Tully Hall.

·         March 7, 1991 AFFIRMATIONS, for chamber ensemble, by Da Capo Chamber Ensemble.  92nd St. YMHA, New York City. (World Premiere)

·         January 8, 1991 SYMPHONY NO. 1, by London Philharmonic, Leon Botstein, conducting.  Barbican Centre, London.

·         Nov. 30, 1990  PERSUASIONS, by Judith Nelson and instrumentalists.  The

      Library of  Congress, Washington, D.C.  (World Premiere)

·         Dec. 5, 1990 FIGURATION, by ISCM/League of Composers, Weill Hall, NYC.

·         July 13, 1990  THREE PAINTERS, by Paul Sperry, tenor, and Arlene Shrut, 

·         piano Natl. Assoc. of Singing Teachers' Summer Workshop,

      Albuquerque, NM

·         June 14, 1990  SILHOUETTE, Orquesta Sinfonica de Colombia, Luis Biava,

      conducting. Bogota, Columbia. (South American Premiere).

·         May 29, 1990  THREE PAINTERS, by Paul Sperry, tenor, and Robert Spillman, piano. Festival of American Song. U. of Colorado, Boulder.

·         March 26, 1990 A THEORY, by Pamela Jordan at Catholic University, Wash. DC

·         Feb. 2-3, 1990 SUITE FOR SMALL ORCHESTRA, by Hudson Valley Phil.

·         Chamb. Orch.    Leon Botstein, conducting, at Bard and Vassar.

·         Oct. 22, 1989   LINE DRAWINGS, by Robert McAllister and Robert Hill, in

memorial  concert for Howard Whittaker, at the Cleveland Music  School Settlement, Cleveland.

·         Oct. 6, 1989  SILHOUETTE,  Akron University Symphony Orch., Joel Ethan

·         Fried,  conductor (American Premiere).

·         Oct. 5, 1989 FLASHBACK (from FIXATIONS), by Peter Vinograde, Iowa

·         State Univ.

·         Oct. 3, 1989   TRIBULATIONS, by Dawn Upshaw, soprano, and Margo Garret, piano,  at Miller Hall, Columbia University.

·         Sept.  27, 1989  FLASHBACK (from FIXATIONS), by Peter Vinograde, Univ. of Chicago.

·         Sept.  26, 1989 FLASHBACK (from FIXATIONS), by Peter Vinograde, Winnipeg.

·         Sept. 24, 1989 TRIBULATIONS, by Dawn Upshaw, soprano, and Margo Garret, piano,  at Illinois Wesleyan University.  (World Premiere).

·         Sept. 15, 1989 THREE PAINTERS, by Paul Sperry, tenor, and Irma Vallecillo,

·         piano at  Bard College.

·         Aug. 16, 1989 PROFOUND UTTERANCES, by Arthur Weisberg, bassoon, at convention  of the International Double Reed Society, Manchester, Eng.

·         May 11, 1989 ARTICULATIONS, by the San Francisco Symphony, Herbert Blomstedt, conductor. Davies Hall, S.F.   (World Premiere)

·         April 30, 1989 STRING QUARTET NO. 3 by Luis Biava and other members of the Philadelphia Orchestra,  The Academy of Music 

·         Mar. 22, 1989 CHARACTER STUDIES, by  Steven Taylor, oboe, Alec Karis, piano.  Speculum Musicae at The Kathryn Bache Miller Theatre, Columbia University, New York City. (NYC  Première)

·         Jan.  22, 1989 FLUTATIONS, by John Solum, flute, at Merkin Hall, New York City.  (New York Première)

·         Nov. 12, 1988  SILHOUETTE, by the London Philharmonic, Leon Botstein, conductor.   Barbican Centre, London. (World Premiere)

·         Sept. 10, 1988  SUITE FOR SMALL ORCHESTRA, by the Pro-Arte Chamber Orchestra of Boston, Leon Botstein, conductor. Great Barrington, MA. (World Premiere) CONCERTO FOR BASSOON AND CHAMBER ORCHESTRA, by Robert Wagner,  bassoon, and the Pro-Arte Chamber Orchestra of Boston, Leon Botstein,   conducting. Great Barrington, MA.

·         July 14, 1988 THREE PAINTERS, by Paul Sperry, tenor, Irma Vallecillo, piano, in  American Music Festival,  Schleswig-Holstein.

·         May 22, 1988 THE BALLAD OF LONGWOOD GLEN, Paul Sperry, tenor, and Susan Jolles, harp, at P.S. 1, Long Island City.

·         Apr. 20, 1988 ECLOGUE, by Mary Frantz, at Univ. of Wisconsin-Madison. FIGURATION, by Frantz, Downs, Paprocki, at Univ. of Wisc.-Madison.

·         Apr. 15, 1988 INTERCALATIONS, by Jack Winerock, at Univ. of Kansas.

·         April 10, 1988  MUSIC FOR SOLO VIOLA,  by Stephanie Fricker, Skinner Hall, Vassar.(World Premiere).CHARACTER STUDIES, by Marc Schachman, oboe, and Richard Wilson, piano, Skinner Hall, Vassar. (World Premiere)

·         March 24, 1988 ECLOGUE, by Aleksei Takenouchi, St. Wendel, Germany.

·         March 17, 1988  ECLOGUE, by Aleksei Takenouchi, Mergiz, Germany.

·         Feb. 14, 1988  THREE PAINTERS and A THEORY, Pamela Jordan, soprano, at Cleveland Music School Settlement, Cleveland.

·         Aug. 6, 1988  JUBILATION, by Ainslee Cox and the Goldman Band at South Street Seaport and at Seaside Park, Brooklyn.

·         Aug. 5, 1987  JUBILATION, by Ainslee Cox, the Goldman Band at Co-op City.

·         June 7, 1987 JUBILATION, by Imre Pallo and the Hudson Valley   Philharmonic at Poughkeepsie's 350th Anniversary     Celebration.  (World Premiere)

·         May 11, 1987 FIGURATION, by San Francisco Contemporary Chamber  Players.

·         April 26, 1987   ECLOGUE, by Peter Vinograde, piano, at National Gallery, Washington, DC.

·         April 26, 1987  ECLOGUE, by Aleksei Takenouchi, at Northwestern University.

·         March 7, 1987   SOUR FLOWERS, danced to by Vassar Ballet Theater. Bardavon, Poughkeepsie.

·         Jan. 30-31, 1987          SYMPHONY NO. 2, by Leon Botstein and the Hudson Valley Phil. Chamb. Orch. at Bard and Vassar.  (World Premiere)

·         Jan. 28, 1987 NTERCALATIONS, by Margaret Mills, Concertgebouw, Amsterdam.

·         Jan. 23, 1987 INTERCALATIONS, by Margaret Mills, Purcell Room, London.

·         Jan. 21, 1987 INTERCALATIONS, by Margaret Mills, Royal Northern College, Manchester, England.

·         Jan. 20, 1987 THREE PAINTERS, by Carol Wilson, soprano, at Carnegie Recital Hall.

·         Jan. 20, 1987 THE BALLAD OF LONGWOOD GLEN, by Paul Sperry, tenor, and Nancy Allen, harp, in Paul Hall, Juilliard School.

·         Jan. 17, 1987  INTERCALATIONS, by Margaret Mills, Reid Hall, Edinburgh.

·         Jan. 11, 1987 FIXATIONS, by Blanca Uribe, at  Phillips Collection, Washington, DC.

·         Nov. 20, 1986  ECLOGUE, by Aleksei Takenouchi, Monza, Italy.

·         Nov. 19, 1986 NTERCALATIONS, by Margaret Mills, Merkin Hall, NYC. (World Premiere)

·         Nov. 18. 1986  ECLOGUE, by Aleksei Takenouchi, Milan, Italy

·         Nov. 13, 1986  ECLOGUE, by Aleksei Takenouchi, Zurich, Switzerland.

·         Nov. 12, 1986  FLUTATIONS, by John Solum, Skinner Hall, Vassar.  (World Premiere)

·         Nov. 7, 1986  ECLOGUE, by Aleksei Takenouchi, Frankfurt am Main, Germany

·         Nov. 6, 1986  ECLOGUE, by Aleksei Takenouchi, Berlin, West Germany.

·         Nov. 4, 1986  ECLOGUE, by Aleksei Takenouchi, Brussels, Belgium

·         Sept. 27, 1986  THREE PAINTERS, by Carol Wilson, Skinner Hall, Vassar.

·         Sept. 17, 1986  ECLOGUE, by Louis Goldstein, at Wake Forest University, Winston-Salem, NC

·         Sept. 13, 1986  ECLOGUE, by Aleksei Takenouchi, in Tokyo, Japan.May 21, 1986   JACKSON POLLOCK, by Paul Sperry and Irma Vallecillo, W. Georgia Col.

·         May 4, 1986  AUGUST 22, by William Appling Singers, Euclid Avenue Congregational Church, Cleveland, Ohio.

·         April 21, 1986  JACKSON POLLOCK, by Paul Sperry. Mary Washington College.

·         March 23, 1986 FIXATIONS, by Blanca Uribe, at Xavier Univ., Cincinnati, Ohio.

·         March 20, 1986  FIXATIONS, by Blanca Uribe, at Eastman School of Music, Rochester, New York.

·         March 9, 1986  FIXATIONS, by Blanca Uribe, at Grace Church, Millbrook, New York.

·         Feb. 1, 1986 JACKSON POLLOCK, by Paul Sperry and Irma Vallecillo. Univ. of Texas.

·         Jan. 28, 1986  FIXATIONS, by Blanca Uribe, at Skinner Hall, Vassar. (World Premiere)

·         Oct. 6, 1985  ECLOGUE, by Louis Goldstein, Univ. of N.C. at Chapel Hill.

·         Sept. 19, 1985 MUSIC FOR SOLO FLUTE, by John Solum, at Skinner Hall, Vassar.

·         May 8, 1985 THREE PAINTERS, by Paul Sperry, tenor, and Irma Vallecillo, piano, at Bard College.  (World Premiere)

·         April 21, 1985 ECLOGUE, by Barry Hannigan, at Syracuse New MusicConcert,  Syracuse, New York.

·         April 18, 1985 ECLOGUE, by Barry Hannigan, at Kutztown Univ., Kutztown, Pa.

·         April 12, 1985   ECLOGUE, by Barry Hannigan, at Holy Names College,   

      Oakland, Ca.

·         April 10, 1985  ECLOGUE, by Barry Hannigan, at Arizona State University,

      Tempe, AZ.

·         April 5, 1985 ECLOGUE, by Barry Hannigan, at University of Oregon,

      Eugene, OR.

·         March 30, 1985  ECLOGUE, by Barry Hannigan, at Idaho State Univ.,      

      Pocatello, Idaho.

·         March 26, 1985 ECLOGUE, by Barry Hannigan, at Emporia State Univ,    

      Emporia, Kan.

·         March 24, 1985 ECLOGUE, by Barry Hannigan, at Jacksonville Univ,        

      Jacksonville, Fl.

·         March 20, 1985 ECLOGUE, by Barry Hannigan, at West Chester Univ, West

      Chester, Pa.

·         March 7, 1985 ECLOGUE, by Barry Hannigan, at Wilkes College, Wilkes-

      Barre, Pa.

·         Feb. 21, 1985 MUSIC FOR SOLO FLUTE, by Marcia Gates, Pone Ensemble for New  Music, SUNY New Paltz.

·         Feb. 3, 1985 STRING QUARTET NO. 3, by The Muir Quartet, The Baltimore

·         Museum  of Art, Baltimore, Md.

·         Jan. 28, 1985 STRING QUARTET NO. 3, by The Muir Quartet, Rockport Opera House,  Rockport, Me.

·         Oct. 19, 20   1984 SYMPHONY NO. 1, by Imre Pallo and the Hudson Valley

      Philharmonic, in Kingston and Poughkeepsie.  (World Premiere)

·         Oct. 9, 1984  STRING QUARTET NO. 3, by The Muir Quartet, at the 92nd St. Y

·         Oct. 8, l984 STRING QUARTET NO. 3, by The Muir Quartet, at Silliman

      College, Yale University.

·         Sept. 30, 1984  STRING QUARTET NO. 3, by The Muir Quartet, Greenwich, CT.

·         Aug. 11, 1984  CONCERTO FOR BASSOON AND CHAMBER ORCHESTRA, by Robert  Wagner, bassoon, and the AIMS Orchestra, Cornelius Eberhardt, cond., at the convention of the International Double Reed Society, in Graz, Austria.

·         July 9, 1984  STRING QUARTET NO. 3, by The Delmé Quartet, Wigmore Hall, London.

·         June 16, 1984 STRING QUARTET NO. 3, by The Muir Quartet, Bard College, Annandale, New York.

·         May 25, 1984   ECLOGUE,  by Aleksei Takenouchi, American Conservatory

      of Music,  Chicago, Ill.

·         May 12, 1984   GNOMICS, by Mary Kay Fink, Michael La Rue, and Rena

      Feller at   Paul Hall, The Juilliard School.

·         April 26, 1984 STRING QUARTET NO. 3, by The Muir Quartet, at Rutgers

·         University.

·         April 4-24, 1984 STRING QUARTET NO. 3, by The Muir Quartet, in several cities in  Australia.

·         March 17, 1984  LINE DRAWINGS, for two clarinets, by Circle, at Rosslyn Hill Chapel,  London.

·         March 14, 1984  ELEGY,  by Elizabethan Singers, Joslyn Art Museum, Omaha, Neb.

·         March 2, 1984  ELEGY, by Elizabethan Singers, C.M. Shearer, cond., Univ. of Nebraska, Omaha, Neb.

·         Feb. 26, 1984  GNOMICS, by Alex Ogle and others, Merken Hall, NYC.

·         Feb. 23, 1984  STRING QUARTET NO. 3, by The Muir Quartet, at Boston Univ.

·         Feb. 20, 1984 ELEVEN SUMNER PLACE, by the Univ. of Neb. Wind     

      Ensemble, at Univ. of Neb.

·         Feb. 19, 1984   STRING QUARTET NO. 3, by The Muir Quartet, Joslyn Art

      Museum, Omaha, Nebraska.

·         Feb. 19, 1984 LINE DRAWINGS, on flutes, Alex Ogle and Mary Kay Fink,

      Harvard   University.

·         Feb. 5, 1984  THE BALLAD OF LONGWOOD GLEN, by Paul Sperry, tenor, and Nancy  Allen, harp, Shelter Island, New York.

·         Jan. 28,29   1984 CONCERTO FOR BASSOON AND CHAMBER ORCHESTRA, by Robert  Wagner, bassoon, and the Hudson Valley Philharmonic Chamber Orchestra, Imre Pallo, conductor. (World Premiere)

·         Jan. 15, 1984  LINE DRAWINGS, on flutes, by Alex Ogle and Mary Kay Fink at  Kimberton, Pa.

·         May 22, 1983  AUGUST 22, by William Appling Singers, Lakewood, Ohio.

·         May 8, 1983 ECLOGUE, by Peter Vinograde, Tully Hall, New York City.

·         May 3, 1983 DITHYRAMB, by Meyer Kupferman and Margaret Helfer,

      Carnegie Recital Hall, New York City.

·         April 27, 1983  STRING QUARTET NO. 3, by The Muir Quartet, at Vassar.

·         April 26, 1983  STRING QUARTET NO. 3, by The Muir Quartet, at Silliman College, Yale  University (World Premiere).

·         April 24, 1983 ECLOGUE, by Peter Vinograde, at The Longy School,        

      Cambridge, MA.

·         April 24, 1983  FIGURATION, with Uribe, Krakauer, Lash, at Bardavon

·         Theater,  Poughkeepsie, New York.

·         April 17, 1983   MUSIC FOR VIOLIN AND CELLO, Si-Yo Music Society, Pace Univ., NYC.

·         March 21, 1983           ECLOGUE, by Blanca Uribe, Kennedy Center, Washington, D.C.

·         March 18, 1983  ECLOGUE, by Blanca Uribe, at Northeastern Univ.

·         March 11, 1983  ELEVEN SUMNER PLACE,  The Harvard Wind Ensemble,

      Sanders  Theater, Cambridge, Mass.

·         Feb. 21, 1983  ECLOGUE, by Peter Vinograde, Iowa State Univ., Ames, Iowa.

·         Nov. 16, 1982  ECLOGUE, by Blanca Uribe, Univ. of Puerto Rico, Rio Piedras

·         Oct. 31, 1982  ECLOGUE, by Blanca Uribe, Alice Tully Hall, NYC.

·         Sept. 9, 1982  ECLOGUE, by Aleksei Takenouchi, Toshi Center Hall, Tokyo.

·         Aug. 17, 1982 ECLOGUE, by Blanca Uribe, Teatro Arte de la Musica, Bogota, Colombia.

·         Aug. 4, 1982 ECLOGUE, by Blanca Uribe, Camara de Comercio de Medellin,

Colombia.

·         July 28, 1982 ELEVEN SUMNER PLACE, by Ainslee Cox and the Guggenheim  Concert Band, Lincoln Center, NYC.

·         July 22, 1982  ECLOGUE, by Blanca Uribe, Camara de Comercio de          

      Bucaramanga,   Colombia.

·         June 23, 1982 ELEVEN SUMNER PLACE, by Ainslee Cox and the           

      Guggenheim   Concert Band, Lincoln Center, NYC.  (World Premiere)

·         June 16, 1982  ECLOGUE, by Aleksei Takenouchi, Merken Hall, NYC.

·         June 4, 1982  ECLOGUE, by Blanca Uribe, Bard College, Annandale, NY.

·         May 2, 1982 CAN, by Vassar Madrigal Singers, James Armstrong,    

·         director,   Skinner Hall, Vassar.

·         April 29, 1982  CONCERTO FOR VIOLIN AND CHAMBER ORCHESTRA, by Joseph Genualdi, violin, and Richard Wilson, piano, at Bard College.

·         April 20, 1982 GNOMICS, by the Spring Trio, at Sarah Lawrence College.

·         April 5, 1982 GNOMICS, by the Spring Trio, at Bard College.

·         April 2, 1982  GNOMICS, by the Spring Trio, at Vassar College.

·         March 16, 1982  CAN, by Vassar Madrigal Singers, Univ. of York, England.

·         March 16, 1982  ECLOGUE, by Thomas Warburton, Univ. of N.C., Chapel Hill,

·         March 13, 1982   CAN, by Vassar Madrigal Singers, St. Felix School,           

      Southwold, Eng.

·         March 10, 1982 CAN, by Vassar Madrigal Singers, The City Lit, England.

·         March 9, 1982  CAN, by Vassar Madrigal Singers, Oundle School, England.

·         March 9, 1982 ECLOGUE, by Thomas Warburton, at l'Ecole Ste Trinité,

      Port-au-Prince, Haiti                           

·         March 8, 1982 CAN, by Vassar Madrigal Singers, Col. of Ripon and York,UK

·         Feb. 17, 1982 PROFOUND UTTERANCES, Arthur Weisberg, bassoon, at Skinner Hall.

·         Feb. 12, 1982  DEUX PAS DE TROIS, by Musica Sonora, University of

·         Indiana.  Bloomington, Ind.

·         Dec. 14, 1981  THE BALLAD OF LONGWOOD GLEN, Paul Sperry, tenor, Ann Shulman, harp, at Monday Evening Concerts, Los Angeles County Museum.

·         Nov. 6, 1981   ECLOGUE, by Blanca Uribe at Lafayette College, Easton, Pa.

·         Oct. 28, 1981   ECLOGUE, by Blanca Uribe, at Vassar College.

·         Oct. 25, 1981   ECLOGUE, by David Burge, Univ. of Gothenburg, Sweden.

·         Oct. 18, 1981   ECLOGUE, by David Burge, Univ. of Stockholm, Sweden.

·         Oct. 9, 1981     ECLOGUE, by Thomas Warburton, at Newport College.

·         Sept. 18, 1981  ECLOGUE, by David Burge, Arizona State Univ., Tempe, Ariz.

·         April 15, 1981  A THEORY, by Carol Wilson, soprano, and Richard Wilson,

      vibraphone, Skinner Hall, Vassar College.

·         April 6, 1981  FIGURATION, by Kupferman, Hayami, Moore, Carnegie

·         Recital Hall,  NYC.  (World Premiere)

·         March 22, 1981  ECLOGUE, by David Burge, W. Michigan Univ., Kalamazoo,

      Mich.

·         March 13, 1981  ECLOGUE, by David Burge, S.U.N.Y. Fredonia.

·         March 7, 1981   ECLOGUE, by David Burge, Univ. of Connecticut.

·         Feb. 25, 1981  PROFOUND UTTERANCES, by Robert Lewis, Skinner Hall

·         Feb. 24, 1981  PROFOUND UTTERANCES, by Robert Lewis, S.U.N.Y. New

      Paltz.

·         Jan. 14, 1981   ECLOGUE, by David Burge, Florida State Univ., Tallahassee.

·         Jan 11, 1981   DEUX PAS DE TROIS, the Woodstock Chamber Players, St.

·         Andres Music Society, Madison Ave. Presbyterian Church, NYC.

·         Nov. 29, 1980  SERENADE, by Gallo, Heywood, Hall. Bruno Walter

      Auditorium, NYC.

·         Oct. 3, 1980   ECLOGUE, by David Burge, Lafayette College, Easton, Pa.

·         July 29, 1980  THE BALLAD OF LONGWOOD GLEN, by Paul Sperry, tenor, and Nancy  Allen, harp, at Aspen Music Festival, Aspen.

·         July 23, 1980   DEUX PAS TROIS, by Gutowski, Green, Ralph

·         PROFOUND UTTERANCES, by Roberson,THE BALLAD OF LONGWOOD GLEN, by Lang and Robson

·         ECLOGUE,  David BurgeAUGUST 22, by Wm. Appling Singers—all at Western Reserve  Academy, Hudson, Ohio.

·         April 19, 1980   ECLOGUE, by David Burge, at Fontbonne College

·         March 28, 1980   DEUX PAS DE TROIS, by Solum, Schachman, and Sullivan,

      Skinner  Hall, Vassar.

·         March 14, 1980  ECLOGUE, by David Burge, at Coe College, Cedar Rapids,

      Iowa.

·         March 9, 1980  DEUX PAS DE TROIS, by Woodstock Chamber Players,  

      Kleinert  Gallery, Woodstock, New York.

·         March 4, 1980  SOUR FLOWERS, by Irma Vallecillo, Eastman School of

      Music, Rochester, New York.

·         Feb. 18, 1980  ECLOGUE, by David Burge, Univ. of Kansas.

·         Feb. 14, 1980  DEUX PAS DE TROIS, by Musica Sonora, Indiana University

·         Feb. 9, 1980  ECLOGUE, by David Burge, Whitman College, Walla Walla,

      Washington.

·         Feb. 4, 1980  DEUS PAS DE TROIS, by Woodstock Chamber Players at Upstate Films,  Rhinebeck, New York.  (World Premiere)

·         Feb. 4, 1980  ECLOGUE, by David Burge, Eastman School of Music,

      Rochester, NY.

·         Jan. 15, 1980  ECLOGUE, by David Burge, Eastman School of Music.

·         Jan. 13, 1980  CONCERTO FOR VIOLIN AND CHAMBER ORCHESTRA, by Joseph  Genualdi and the Hudson Valley Philharmonic

·         Chamber Orchestra, Imre Pallo, conducting. Bardavon

      Opera House, Poughkeepsie, NY. (World Premiere)     

·         Sept. 19, 1979  SOUR FLOWERS, by Todd Crow, Skinner Hall, Vassar. 

      (World Premiere)

·         June 16, 1979  MUSIC FOR SOLO FLUTE, by James Pellerite. Indiana

      University,  Bloomington, Indiana.

·         Feb. 28, 1979  SERENADE, by Gallo, Fricker, Fricker.  Skinner Hall,

      Vassar. (World  Premiere)

·         Feb. 7, 1979  MUSIC FOR VIOLIN AND CELLO, by Cowan and Renart.

      Skinner Hall, Vassar.          

·         Feb. 6, 1979   MUSIC FOR VIOLIN AND CELLO, by Cowan and Renart. 

      McKenna  Theater,  S.U.N.Y. New Paltz.

·         Oct. 27, 1978   ECLOGUE, Irma Vallecillo, Skinner Hall, Vassar.

·         April 29, 1978  MUSIC FOR SOLO FLUTE, by Patricia Spencer, Da Capo

      Chamber  Players, Carnegie Recital Hall, NYC.

·         Feb. 1, 1978   THE BALLAD OF LONGWOOD GLEN, by Paul Sperry, tenor, and Nancy  Allen, harp.  Skinner Recital Hall, Vassar.  (World Premiere)

·         Oct. 4, 1977  STRING QUARTET NO. 2, by The Composers Quartet.      

·         Columbia  University, NYC. (New York Premiere)

·         Sept. 14, 1977 STRING QUARTET NO. 2, by The Composers Quartet, Skinner Hall,  Vassar.    (World Premiere)

·         July 25, 1977 MUSIC FOR SOLO FLUTE, by Floyd Hebert. Colgate         

·         University.

·         May 26, 1977  ECLOGUE, by Robert Black.  Auspices League—ISCM. 

      Carnegie  Recital Hall, NYC.

·         April 16, 1977  AUGUST 22, by Thomas Sokol Chorale, Cornell University.

·         July 18, 1976  ECLOGUE, by Todd Crow, Wigmore Hall, London.  (U.K.

      Premiere)

·         Dec. 5, 1974   ECLOGUE, by Blanca Uribe, Skinner Hall, Vassar. (World

      Premiere)

·         May 1, 1974   MUSIC FOR VIOLIN AND CELLO, by New Music Ensemble of Providence, Wesleyan University.

·         April 10, 1974  MUSIC FOR VIOLIN AND CELLO, by New Music Ensemble of Providence, Massasoit Community College.

·         March 24, 1974  MUSIC FOR VIOLIN AND CELLO, by New Music Ensemble of Providence, Salve Regina College.

·         March 15, 1974 MUSIC FOR VIOLIN AND CELLO, by New Music Ensemble of Providence, Simon's Rock College, Great Barrington, Mass.

·         March 12, 1974  MUSIC FOR VIOLIN AND CELLO, by New Music Ensemble of Providence, Bridgeport University.

·         Nov. 20, 1972  MUSIC FOR SOLO FLUTE, by Harvey Sollberger, The Group for  Contemporary Music, Manhattan School of Music.

·         May 10, 1972   THREE SHORT PIECES FOR PIANO, by Ursula Oppens

·         MUSIC FOR SOLO CELLO, by Fred Sherry CONCERT PIECE FOR VIOLIN AND PIANO, by Rolf Schulte and  Ursula Oppens MUSIC FOR VIOLIN AND CELLO, by Rolf Schulte and Fred Sherry—all at Skinner Hall, Vassar College                              

·         March 4, 1972  ELEGY and HOME FROM THE RANGE, by Vassar Madrigal  Singers, Alice Tully Hall, Lincoln Center, NYC.

·         Jan. 24, 1972  MUSIC FOR SOLO CELLO, by Fred Sherry, Metropolitan

      Museum of  Art, NYC. (World Premiere)

·         April 5, 1971  MUSIC FOR VIOLIN AND CELLO, by  Jeanne Benjamin and

      Fred Sherry, The Group for Contemporary Music at Columbia U., NYC.

·         March 5, 1971  STRING QUARTET NO. 1, by the Maurer Quartet, Skinner

      Hall, Vassar.

·         Nov. 14, 1970   THREE SHORT PIECES FOR PIANO, by Richard Wilson,        

      Franconia  College, Franconia, New Hampshire.

·         April 11, 1970 INITIATION, by The Hudson Valley Philharmonic,            

      conducted by Richard Wilson. Newburgh Free Academy; Ramapo High School;

·         Dec. 20, 1969  MUSIC FOR VIOLIN AND CELLO, by Yoko Matsuda and F. Sherry QUARTET FOR FLUTES, BASS, AND HARPSICHORD, by Monteux Quartet, Composers' Forum, Donnell Library Auditorium, NYC.  (Elliott Carter, moderator)

·         Dec.  16, 1969  QUARTET FOR FLUTES, BASS, AND HARPSICHORD, by Monteux Quartet, Taylor Art Gallery, Vassar College.  (World Premiere)

·         April 10, 1969  MUSIC FOR VIOLIN AND CELLO, by Robert Rudié and Luis Garcia-Renart, Riverdale School of Music,Riverdale, NY.

·         April 3, 1969  MUSIC FOR VIOLIN AND CELLO, by Robert Rudié and Luis

·         Garcia-Renart.  Skinner Hall, Vassar.

·         April 1, 1969  MUSIC FOR VIOLIN AND CELLO, by Robert Rudié and Luis Garcia-Renart.  Bard College.  (World Premiere)

·         April 25, 1968  A DISSOLVE, by Vassar Madrigal Singers, Albert van Ackere,  conductor, Skinner Recital Hall, Vassar College.

·         April 27, 1967   FANTASY AND VARIATIONS, by Contemporary Chamber

·         Ensemble, Arthur Weisberg, conductor.  Carnegie Recital Hall, NYC. (New York Premiere)                  

·         July 30, 1967 CONCERT PIECE FOR VIOLIN AND PIANO, by Isidor Desser, violin, Richard Wilson, piano. Chautauqua Institution.(World Premiere)       

·         June 30, 1967 THREE SHORT PIECES FOR PIANO, by Ruslana Antonwicz,

      Peabody Conservatory of Music, Baltimore, Md.

·         March 8, 1967  FANTASY AND VARIATIONS, by Contemporary Chamber

·         Ensemble, Arthur Weisberg, conductor.  Skinner Hall,

      Vassar College  (World Premiere)             

·         May 20, 1963 THREE SHORT PIECES FOR PIANO, by Luis Vosgerchian

      Paine Hall, Harvard University.  (World Premiere)

·         March 20, 1963  SUITE FOR FIVE PLAYERS. Little, Grow, Goldberg, Lantz,

·         Ketter, R. Wilson, cond.  Quincy House, Harvard University 

      (World Premiere)

Performances as Pianist or Conductor:

·         July 23, 2006 With Rolf Schulte, Mary Nessinger, and Sophie Shao, performed chamber music and songs by Schubert and Wilson at Martel Recital Hall, Vassar College.

·         May 6, 2006  With Blanca Uribe, performed Mozart’s Piano Concerto for 2 pianos, no. 10. K365 (316a) in E-flat with the Hudson Valley Philharmonic, Randal Craig Fleischer, conductor.

·         December 3, 2005  Piano soloist in Beethoven’s Piano Concerto No. 4 with Vassar College Orchestra, Edwardo Navega, conductor.

·         October 2, 2005 With Rolf Schulte, Mary Nessinger, and Sophie Shao, performed chamber music by Wilson and Brahms at Merkin Concert Hall, New York City.

·         August 19, 2005 With Blanca Uribe played Copland’s El Salon Mexico at Bard Music Festival, Fisher Center, Bard College.

·         July 3, 2005  With Schulte, Shao, Nessinger gave concert of Wilson and Brahms, including Brahms’s Trio in B major. Vassar College.

·         May 21, 2005  With Blanca Uribe, performed Brahms Academic Festival Overture in Vassar Commencement Concert.

·         March 27, 2005  With Rolf Schulte, performed duo recital at Vassar. Works by Bach, Mozart and Beethoven.

·         February 6, 2005  Participated in Modfest/Vocalfest in Merkin Hall.

·         January 30, 2005  Participated in Modfest/Vocalfest at Vassar College

·         January 21, 2005   Conducted Copland’s Nonet for strings at Vassar Modfest.

·         January 21, 2005 With Rolf Schulte played Copland’s Violin Sonata in Vassar Modfest.

·         November 7, 2004  With Blanca Uribe participated in memorial concert for Edward Reilly at Vassar. Music by Britten.

·         October 2, 2004  With Blanca Uribe, an all-Stravinsky program for two pianos at Vassar.

·         September 9, 2004  Concert at Merkin Hall, NYC, with Rolf Schulte, Allen Blustine and Sophie Shao.  Trios by Beethoven with works by Wilson.

·         June 27, 2004   Trios by Beethoven and works by Wilson at Vassar. With Schulte, Blustine and Shao.

·         May 22, 2004  Participated in Vassar Commencement Concert.

·         February 15, 2004  Played Moevs work with Blanca Uribe in Vassar Modfest/Pianofest at Merkin Hall, NYC.

·         February 1, 2004  Played Moevs work with Blanca Uribe in Vassar Modfest/Pianofest at Vassar.

·         January 24, 2004  Conducted première of Contentions, for chamber ensemble, at Vassar Modfest.

·         January 24, 2004  Conducted Suzanne Sorkin’s Night Watch.=

·         January 23, 2004 Played  Stravinsky’s Suite Italienne and Duo Concertant with Rolf Schulte at Vassar Modfest.

·         September 7, 2003  Played sonatas by Mozart and Beethoven with Schulte and Shao in Merkin Hall, NYC.

·         August 31, 2003  Participated in Vassar Freshmen Welcome Concert.

·         June 15, 2003  Played sonatas by Mozart and Beethoven with Schulte and Shao at Vassar.

·         May 24, 2003  Participated in Vassar Commencement Concert.

·         May 10, 2003  With Blanca Uribe, participated in re-dedication concert celebrating the renovations to Skinner Recital Hall, now Martel Recital Hall. Work by Saint-Saens.

·         February 2, 2003  Played Debussy Cello Sonata with Sophie Shao at Vassar Modfest.

·         January 25, 2003  Conducted Shades of Memory by Suzanne Sorkin at Vassar Modfest.

·         January 25, 2003 Played Debussy Violin Sonata with Rolf Schulte at Vassar Modfest.

·         January 5, 2003  Concert at Merkin Hall with Schulte and Shao. Sonatas by Beethoven and Debussy as well as world premiere of Wilson Piano Trio.

·         November 2, 2002  Two-piano concert at Vassar with Blanca Uribe.

·         September 27, 2002  Trio concert at St. Mary’s College, MD, with Jeff Lang, horn, and Rolf Schulte, violin.

·         September 21, 2002  Piano solo at benefit for Hudson Valley Chamber Music Circle.  Annandale-on-Hudson.

·         September 18, 2002  Trio concert at Cosmos Club, Washington, DC, with Jeff Lang and Rolf Schulte.

·         September 1, 2002  Participate in Vassar Freshmen Welcome Concert.

·         June 30, 2002 Recital with Rolf Schulte and Jeffrey Lang at Vassar, including Brahms Horn Trio.

• November 17, 2001 Harvard Glee Club 40th reunion—accompanist
• September 8, 2001  Soloist in Mozart Concerto with American Symphony
• Chamber Orchestra at Vassar
• September 7, 2001  Soloist in Mozart Concerto with American Symphony

Chamber  Orchestra at Bard

• September 2, 2001 Participant in freshman welcome concert at Vassar
• July 15, 2001  Duo recital with violinist Rolf Schulte at Vassar
• May 20, 2000    Commencement Concert at Vassar
• April 30, 2000  Two-piano recital with Blanca Uribe at Vassar
• February 11 and 12, 2000   Premiere of INTIMATIONS FOR PIANO AND ORCHESTRA plus Mozart Piano Concerto in D minor with American Symphony Chamber Orchestra, Leon Botstein, conducting, at Bard and Vassar
• November 6, 1999  Concert with Rolf Schulte and Jeffrey Lang.  Two          Mozart violin and piano sonatas, Brahms Horn Trio.  THREE INTERLUDES by Wilson.  At Vassar
• August 29, 1999  Welcome concert at Vassar
• July 8, 1999  Concert with Rolf Schulte, Dorothy Lawson and others, including works by Mozart, Beethoven, and Wilson at Vassar

·         July 8, 1999  Chamber Music Concert, Skinner Hall, Vassar College.

·         Pianist in TRANSFIGURED GOAT, Mozart Violin Sonatas and

·         Beethoven Trio in c; conductor in AFFIRMATIONS.

·         May 22, 1999  Commencement Concert, Skinner Hall, two-piano work

      with Blanca Uribe.

·         April 11, 1999  Two-Piano concert with Blanca Uribe, Skinner Hall, Vassar.

·         February 28, 1999 Duo-Recital with Rolf Schulte, violin, Skinner Hall, Vassar

·         August 30, 1998    Freshman Welcome Concert, Skinner Hall, Vassar.

·         July 25, 1998  Two-Piano concert with Blanca Uribe, Skinner Hall

·         May 2, 1998  Concerto soloist (Mozart K. 537) with American Symphony Chamber Orchestra, Leon Botstein, conducting at Skinner Hall, Vassar College.

·         May 1, 1998  Concerto soloist (Mozart K. 537) with American          Symphony Chamber Orchstra, Leon Botstein, conducting at Olin Auditorium, Bard College.

·         November 23, 1997 Duo-Recital with Joseph Genualdi, violin, at Skinner Hall, Vassar College

·         August 31, 1997  Freshman Welcome Concert, Skinner Hall, Vassar College                                   

·         July 16, 1997  Trio Concert with Laura Flax and Eric Wyrick, Skinner

      Hall, Vassar College.

·         May 24, 1997 Commencement Concert.  Two-piano performance with

      Blanca Uribe; clarinet and piano with Larry Guy.      

      Skinner Hall, Vassar College.

·         February 23, 1997 Two-piano concert with Blanca Uribe, Skinner Hall,

      Vassar College.

·         January 22, 1997 Played Prelude No. VIII. Op. 1/8 by Szymanowski on

      WNYC in broadcast from Kosciuszko Foundation.

·         December 5, 1996 Violin and Piano duo, with Leon Botstein, at funeral of

      Alger Hiss, NYC.

·         November 8, 1996 Chamber Music Concert at Skinner Hall, Vassar College.

      Works by Mozart, Brahms and Wilson.

·         July 25, 1996  Chamber Music Concert with Joseph Genualdi, violin,

      and Robert Martin, cello, at Skinner Hall, Vassar College.

·         June 20, 1996  Two-Piano Concert with Blanca Uribe, Skinner Hall,

      Vassar College.

·         May 18, 1996  Commencement Concert, Skinner Hall, Vassar College.

·         April 9, 1996   Two-Piano Concert with Blanca Uribe, Skinner Hall,

      Vassar College.

·         October 30, 1995 Concerto soloist with American Symphony Chamber

      Orchestra, Merkin Hall, NYC, Leon Botstein, conducting.

·         October 28, 1995 Concerto soloist with American Symphony Chamber

      Orchestra, Skinner Hall, Vassar College. Leon Botstein,

      conducting.

·         October 27, 1995 Concerto soloist with American Symphony Chamber

      Orchestra, Olin Auditorium, Bard College.  Leon Bostein,

      conducting.

·         August 30, 1995 Freshman Welcome Concert: accompany Mary Ann Hart

·         June 26, 1995 Accompany Mary Ann Hart on WNYC broadcast.

·         June 6, 1995    Accompany Mary Ann Hart at Bruno Walter Auditorium

      for Music Publishers’ Association event.

·         February 12, 1995  Concerto soloist (duo with Blanca Uribe) with Residentie

      Orkest, The Hague, Netherlands, Gerald Ostkamp,

      conducting.

·         February 11, 1995 Concerto soloist (duo with Blanca Uribe) with Residentie

      Orkest, Leiden, Netherlands, Gerald Ostkamp, conducting.

·         February 10, 1995 Concerto soloist (duo with Blanca Uribe) with Residentie

      Orkest, The Hague, Netherlands, Gerlad Ostkamp,cond.     

·         September 17, 1994 Duo-Recital with André Emelianoff, cellist, at private

      home in Annandale-on-Hudson.

·         August 20, 1994 Duet performance of Schumann with Sara Rothenberg

      and melodrama accompaniment with William Sharp  at

      Bard Music Festival.

·         May 10, 1994  Trio concert, Skinner Hall, Vassar College,  with Laura

      Flax, clarinet, Eric Wyrick, violin and Peter Wyrick, cello

      in works by Beethoven, Wilson and Mendelssohn.                                   

·         Oct. 1-2, 1993  Soloist in Beethoven 4th Piano Concerto with American

      Symphony Chamber Orchestra at Bard and Vassar.

·         June 12, 1993  Conducted a cappella chorus in Randall Thompson's The

      Peaceable Kingdom (excerpt) in memorial service for        

      Harvard Class of 1963.  Harvard University.

·         May 16, 1993  Performed with American Symphony Trio, Rokeby,

      Barrytown, NY.

·         May 3, 1993   Performed with American Symphony Trio, National Arts

      Club, NYC.

·         Nov. 24, 1992  Conducted PERSUASIONS and AFFIRMATIONS in concert of own  works at Vassar.

·         Aug. 15, 1992  Performed Busoni's Duetinno Concertante with Todd Crow

      in Bard Music Festival

·         Oct. 4,5  1991  Performed Mozart's Concerto in Bb, K. 595 with Hudson

      Valley Philharmonic Chamber Orchestra, Leon Botstein,  

      conducting.  Bard and Vassar.

·         May 5, 1991   Performed with Blanca Uribe Mozart's Concerto in Eb for

      Two Pianos and Orchestra.  Hudson Valley Philharmonic

      Chamber Orchestra, Leon Botstein, conducting.  Alice

      Tully Hall, New York City.

·         October 27, 1989 Substituted on 24-hour notice as soloist in Mozart's

      Concerto No. 13 in C, K. 415 with Hudson Valley

      Philharmonic, Leon Botstein, conducting, at Bard College.

·         April 28, 29, 1989 Soloist in Mozart's Concerto No. 22 in Eb, K. 482 with

      Hudson Valley  Philharmonic, Leon Botstein conducting,

      at Bard and Vassar.

·         April 10, 1988  Recital of solo piano works by Mozart and Schubert along

      with original compositions.  Skinner Recital Hall, Vassar

      College.

·         February 2, 1988  Two-Piano Recital with Blanca Uribe, Skinner Hall,

      Vassar.

·         May 2, 1987  Conducted works by Lou Harrison; also accompanied at

      piano. Dawn Upshaw the featured soloist in both. Black

      Mountain College  Exhibition concert at Bard College.

·         Jan. 30, 31, 1987  Soloist in Mozart's Concerto No. 19 in F, K. 459, with

      Hudson Valley Philharmonic Chamber Orchestra, Leon

            Botstein, conducting. Vassar and Bard.

·         April 9, 1986  Two-Piano Recital with Blanca Uribe, Skinner Hall.  

·         March 2,3  1985 Soloist in Beethoven's Fourth Piano Concerto, with

      Hudson Valley Philharmonic Chamber Orchestra, Leon

      Botstein, conducting.

·         Oct. 24, 1984 Two-Piano Recital with Blanca Uribe, Skinner Hall,

      Vassar.

·         June 23, 1984  Participated as pianist  in performance of Erik Satie's

      VEXATIONS. Almeida Festival, London.

·         May 1, 1983    Soloist in Mozart's Concerto No. 17 in G, K. 453 with      

·         April 30, 1983 Hudson Valley Philharmonic Chamb. Orch., Leon

      Botstein, conducting.

·         Feb. 9, 1983   Two-Piano Recital with Blanca Uribe, Skinner Hall,

      Vassar.

·         April 29, 1982  Joint recital with Joseph Genualdi, violin, in sonatas by

      Mozart and Brahms. Bard College.

·         Dec. 4, 1980  Two-piano recital with Blanca Uribe, Skinner Hall,

      Vassar.

·         March 2, 1980  Two-piano recital with Blanca Uribe, Skinner Hall,

      Vassar.

·         March 31, 1977  Two-piano recital with Blanca Uribe, Skinner Hall,

      Vassar.

·         March 31, 1976  Two-piano recital with Blanca Uribe, Skinner Hall,

      Vassar.

·         May 7, 1975     Two-piano recital with Blanca Uribe, Skinner Hall,

      Vassar.

·         March 25, 1972  Solo Recital, with works by Bach, Schubert, Chopin,

      Debussy and Moevs, at Franconia College, Franconia,

      New  Hampshire.

·         March 4, 1972  Brahms Horn Trio, with Ralph Froelich and Matthew

      Raimondi, Alice Tully Hall, Lincoln Center, NYC.

·         Nov. 14, 1970  Solo Recital, with works by Mozart, Beethoven,

      Debussy,  Chopin and Wilson.  Franconia College,

      Franconia, New Hampshire.

·         Dec. 10, 1969 Duo Recital with Luis Garcia-Renart, in works of

      Beethoven, Debussy and Brahms. Skinner Hall, Vassar.

·         Nov. 8, 1968  Solo Recital, with works by Bach, Schubert, Debussy,

      and  Chopin. Skinner Recital Hall, Vassar.

·         Oct. 25, 1967  Solo Recital, works by Mozart, Chopin, Perera,

      Beethoven,  and Richard Wilson. Skinner Recital Hall,

      Vassar College.

·         April 23, 1967  Solo Recital, with works by Schubert, Mozart, Chopin,

      Nilsson, Perera, Wilson and Moevs. Mount Holyoke

      College.

·         Nov. 9, 1966  Solo Recital, with works by Bach, Debussy, Nilsson,

      Wilson, Moevs, and Brahms. Skinner Hall, Vassar Coll.

·         April 3, 1966  Solo Recital, with works by Bach, Debussy, Nilsson,

      Wilson,Moevs, and Brahms.  Earlham College.

·         March 30, 1966 Solo Recital, with works by Bach, Debussy, Nilsson,

      Wilson, Moevs, and Brahms.  Case Institute, Cleveland,

      Ohio.

·         March 9, 1966 Solo Recital, with works by Bach, Debussy, Nilsson,

      Wilson, Moevs, and Brahms.  Rutgers University.

·         Feb. 27, 1966  Solo Recital, with works by Bach, Debussy, Nilsson,

      Wilson,  Moevs, and Brahms.  Eliot House Music Society. 

      Harvard  University.

·         Feb. 24, 1966  Solo Recital, with works by Bach, Debussy, Nilsson,

      Wilson, Moevs, and Brahms.  Amherst College.

·         May 13, 1965  Solo Recital, with works by Chopin, Nilsson, Wilson,

      Moevs, and Beethoven. Rutgers University.

·         Oct. 28, 1965 Solo Recital, with works by Bach, Schubert, Debussy

      and  Moevs, Rutgers University.

·         July 18, 1964  Solo Recital, with works by Scarlatti, Schubert, Moevs,

      Liszt, Debussy and Chopin. Teatro Nuova, Cutigliano,

      Italy.

·         July 17, 1964 Solo Recital, with works by Schubert, Bach, Chopin,

      Moevs and Brahms. Palazzo Cini, San Marcello, Italy.

·         July 16, 1964  Solo Recital, with works by Schubert, Mozart, Moevs and

      Beethoven.  Accademia del Ceppo, Pistoia, Italy.

·         May 21, 1964  Solo Recital, with works by Schubert, Mozart, Moevs and

      Beethoven. Palazzo Ducale, Massa, Italy.

·         Jan. 2, 1964   Solo Recital, with works by Schubert, Moevs and

      Beethoven. Villa Aurelia, American Academy in Rome.

·         May 13, 1963 Solo Recital, with works by Berg, Schubert, Chopin and

      Brahms.  Paine Hall, Harvard University.

·         December 3, , 1961 Soloist in Mozart’s Concerto No. 23 in A, K. 488, with

      Bach  Society Orchestra, Andrew Schenck, conducting. 

      Paine  Hall, Harvard University.

·         May 6, 1960  Soloist in Mozart's Concerto No. 26 in D, K. 537, with

      Harvard-Radcliffe Orchestra, Michael Senturia,

      conductor.  Sanders  Theatre, Harvard University.

A Selection of Broadcasts (not up-to-date):

·         Dec. 8, 2004    BBC-Radio 4 program on Vladimir Horowitz

·         May 15, 1996  Interview and selection of works in WNIB/WNIZ—

      Chicago  birthday tribute.

·         May 15, 1991  BASSOON CONCERTO, Morning Pro Musica, WGBH. 

      Birthday  Tribute.

·         August 10, 1990 ARTICULATIONS, by San Francisco Symphony, H.

Blomstedt, cond., on WQXR-FM. Part of a national network of broadcasts—over 100 participating stations.

·         August 9, 1990 GNOMICS, twenty-two seconds of which, used as

      background music on NBC-TV's "Today Show".

·         Dec. 26, 1987  STRING QUARTET NO. 3, by The Muir Quartet, on Robert

      J. Lurtsema's "Morning Pro Musica", on NPR.

·         July 19, 1986   STRING QUARTET NO. 3, by Delmé Quartet, on Radio 3 of

      the BBC.

·         June 22, 1986  STRING QUARTET NO. 3, by Muir Quartet, on WNYC-FM.

·         March 27, 1985 STRING QUARTET NO. 3, by Delmé Quartet, on Radio 3 of

      the BBC.

·         October, 1981  ECLOGUE, recorded by David Burge for Swedish Radio. No broadcast details available.

Lectures, Panels, Master Classes, and Pre-Concert Talks

 

·         June 11, 2006  Lecture on Rimsky-Korsakov’s Motsart I Sal’Yeri and Dargomizhsky’s Kamennyj Gost, Lincoln Ctr.

·         May 21, 2006  Lecture on Schoeck, Martin, and Honnegger, Lincoln Ctr.

·         April 21-22, 2006  Lecture on Brahms, Schumann, and Tsontakis, Bard College

·         April 7, 2006  Lecture on Vaughn Williams,  Bliss, and Bridge, Lincoln Ctr.

·         January 29, 2006  Lecture on Schumann’s Paradise and the Peri, Lincoln Ctr.

·         November 18, 2005  Lecture on Lutoslawski, Lincoln Ctr.

·         September 25, 2005  Lecture on Sessions, Thompson, and Bloch, Lincoln Ctr

·         August 21, 2005  Chaired panel of composers, Bard Music Festival

• April 17, 2005   Lecture on Strauss choral works, Lincoln Center
• April 9/10 ‘05 Lecture on Schreker, Shostakovich, Zwilich. Bard Col.
• March 11, 2005 Lecture on Husa, Stravinsky, Zemlinsky, Lincoln Ctr
• February 13, 2005 Lecture on Chabrier’s Le Roi malgré lui  Lincoln Ctr
• February 9, 2005  Chaired panel on Chabrier’s Le Roi malgré lui at Alliance Francaise in NYC
• February 4/5   Lecture on Strauss, Elgar, Brahms at Bard College

·         January 16, ’05  Lecture on Stravinsky, Glazunov, Miaskovsky, and Shostakovich at Lincoln Center

• November 14, ’04 Lecture on music of Carl Czerny at Lincoln Center
• October 15, ’04 Lecture on Pfitzner and Walter at Lincoln Center
• August 22, ’04 Chaired panel of composers, Bard Music Festival
• June 6, ’04  Lecture on Mendelssohn, Wagner and Liszt, Lincoln Ctr
• April 16/17  Lecture on Weber, Chopin, Berlioz at Bard College
• April 2, 2004  Lecture on Elgar, Stanford, Bridge at Lincoln Center
• March 5, ’04 Lecture on three Hindemith operas at Lincoln Center
• February 20/21 Lecture on Stravinsky and Tchaikovsky at Bard Col
• February 8, ’04 Lecture on Sulzer, Goldmark, Schreker, Rubinstein at Lincoln Center
• October 24/25  Lecture on Wagner, Dvorak, Brahms at Bard Col.
• September 28, ’03 Lecture on Dallapiccola and Nono at Lincoln Ctr
• August 16, 2003  Chaired panel of composers, Bard Music Festival
• April 11, ‘03 Lecture on Shostakovich, Popov, Prokoviev at Linc Ctr
• March 14, 2003 Lecture on Lehar, Schnittke and Suk at Lincoln Ctr
• February 9, ’03  Lecture on Schumann, Bennett, Liszt at Lincoln Ctr
• January 10, 2003  Lecture on Bruckner at Lincoln Center
• November 17, ‘02 Lecture on Feldman, Carpenter and Ives at Lin C.
• October 6, ’02 Lecture on Strauss’ Egyptian Helen at Lincoln Center
• August 18, 2002  Chaired panel of composers, Bard Music Festival
• June 9, 2002 Lecture at Lincoln Center on Zemlinsky
• May 30, 2002—Presentation at Royal Academy of Music, London
• May 10, 2002—Lecture at Lincoln Center on Homboe, Stenhammar, Sibelius
• April 14, 2002—Lecture at Lincoln Center on Richard Strauss
• March 3, 2002—Pre-concert talk in Georgetown, Texas
• January 25, 2002—Lecture at Lincoln Center on Liszt and Rachmaninov
• December 5, 2001—Lecture at Lincoln Center on Rubin, Korngold, and Wellesz
• October 27, 2001—Lecture at Tully Hall on Debussy
• October 10, 2001—Lecture at Lincoln Center on Petrassi, Gerhard, Dallapiccola, Hartmann
• August 19, 2001 Chaired panel at Bard Music Festival on Debussy
• May 16, 2001  Pre-concert lecture on music by Carl Orff. Kaplan Space, Lincoln Center, NYC
• March 30,2001   Pre-concert lecture on music by Franz Schmidt and Max Reger, Kaplan Space, Lincoln Center, NYC
• March 5, 2001 Gave master class at Southwestern University, Georgetown, TX, for flute and cello students playing music by RW
• March 5, 2001   Lecture on Stravinsky at Senior University, Georgetown, TX
• February 4, 2001   Pre-opera lecture on Le roi Arthus by Chausson. Avery Fisher Hall, Lincoln Center, NYC
• December 13, 2000  Pre-concert lecture on music by Prokofiev, Shostakovich, and Miaskovsky.  Kaplan Space, Lincoln Center, NYC
• November 27, 2000  Gave master class at Vienna Conservatory in piano studio of Antoinette Van Zabner on piano music by RW
• November 19, 2000 Pre-concert lecture on music by Farberman, Glass, and Krenek.  Kaplan Space, Lincoln Center, NYC
• November 16, 2000  Chaired panel on Ernst Krenek, The Lighthouse,  NYC
• November 2, 2000  Pre-concert talk and reading from diary of Ernst Krenek.  Wolfgang Holzmeier Recital, Weill Hall, NYC
• October 28, 2000  Pre-concert lecture on Beethoven’s chamber music, Alice Tully Hall, NYC
• October 20, 2000   Pre-concert lecture on Mahler’s Seventh Symphony. Kaplan Space,  Lincoln Center, NYC
• August 20, 2000   Chaired panel on Beethoven’s creative process; Bard Music Festival, Bard College
• April 16, 2000 Pre-concert lecture, ASO, Lincoln Center,  on Gliere’s  Ilya Murometz
• March 8, 2000 Pre-concert lecture, ASO, Lincoln Center,  on Nietzsche and Music
• February 4, 2000 Pre-concert lecture, ASO, Lincoln Center,  on Music of Georges Enescu
• January 16, 2000 Pre-concert lecture, ASO, Lincoln Center,  on Strauss’s Die Liebe der Danae
• November 20, 1999 Pre-concert lecture at  Bard Music Festival in NYC on Schoenberg’s American Pupils, Alice Tully Hall
• October 24, 1999 Participated in panel discussion of music of Chopin at Longy School of Music, Cambridge, MA
• October 15, 1999 Pre-concert lecture, ASO, Lincoln Center,  on Edgar Allen Poe and Music

·         August 15, 1999 Chair of panel of composers on, “Schoenberg and the Music of Today” at Bard Music Festival

·         May 12, 1999  Pre-concert talk at American Symphony, Lincoln

      Center: “Entering the New Century.”

·         May 8, 1999 Chair of Symposium on Fuchs, Zemlinsky et. al. Kaplan

      Penthouse, Rose Building, Lincoln Center

·         March 18, 1999 Pre-concert talk at American Symphony, Lincoln

·         January 1, 1999 Pre-concert lecture, ASO, Lincoln Center,  on Bruckner’s Fourth Symphony Center: “The Koussevitzky Legacy”

·         August 16, 1998 Pre-concert talk at Bard Music Festival: “The Mighty

      Five.”

·         May 30—June 6,1998 Pre-concert and pre-opera talks on Rhine Cruise

      “River  Cloud.”

·         May 21, 1998  Pre-concert panel prior to performance of String

      Quartet No. 4 at Museum of Contemporary Art, Chicago.

·         May 13, 1998   Pre-concert talk at American Symphony, Lincoln

      Center: “Nadia Boulanger: Teacher of the Century.”

·         April 5, 1998 Pre-concert talk American Symphony, Lincoln Center: “The Musical Romance of Childhood.”

·         February 25, 1998 Pre-concert talk at American Symphony, Lincoln Center: “Music of Conscience”

·         November 30, 1997 Pre-concert talk American Symphony, Lincoln Center:

      “The Other Voice of Johannes Brahms.”

·         October 22, 1997 Pre-concert talk American Symphony, Lincoln Center:

      “Uptown/Downtown: American Music 1880-1930.”

·         September 6, 1997 Pre-concert talk at American Symphony Chamber

      Orchestra, Skinner Hall, Vassar College.

·         August 16, 1997 Pre-concert talk at Bard Music Festival, Bard College.

·         May 14, 1997 Chaired pre-concert panel at American Symphony: Dvorak and Brahms—their D major symphonies

·         May 7, 1997  Pre-concert talk at Barnes and Noble, Lincoln Triangle: Dvorak and Brahms—their D major symphonies

·         April 13, 1997 Pre-concert talk American Symphony, Lincoln Center “Against the Grain: The German Influence in French

·         Music at the Turn of the Century.”

·         April 5, 1997  Pre-concert talk at Barnes and Noble, Lincoln Triangle: Music of D’Indy, Florent Schmitt, and Albéric Magnard

·         March 12, 1997 Pre-concert talk American Symphony, Lincoln Center: “Dreams and Realities: Re-inventing America 1929-42

·         March 5, 1997  Pre-concert talk at Barnes and Noble, Lincoln Triangle: Music of Copland, Converse, Crawford Seeger,

·         Siegmeister and Harris.

·         January 24, 1997 Pre-concert talk American Symphony, Lincoln Center: “The Soul of Poland in Modern Times; The Music of

·         Karol Szymanowski.”

·         January 22, 1997 Broadcast discussion of Szymanowski on WNYC.

·         January 17, 1997 Pre-concert talk at Barnes and Noble, Lincoln Triangle: Music of Szymanowski.

·         November 22, 1996 Pre-concert talk American Symphony, Lincoln Center:

      “A ‘Politically Incorrect’ Masterpiece”

·         November 17, 1996 Pre-concert talk at Barnes and Noble, Lincoln Triangle:

·         Franz Schmidt’s The Book of the Seven Seals.

      November 3, 1996 Chaired panel on Ives, Alice Tully Hall, Lincoln Center.

      (Part of Bard Music Festival.)

·         August 11, 1996 Pre-concert talk at Bard Music Festival on Ives and his

      contemporaries.

·         May 10, 1996  Pre-concert talk at American Symphony, Lincoln

      Center. Music by Weill, Hindemith, and Schreker.

·         April 28, 1996 Pre-concert talk at American Symphony, Lincoln

      Center.  Music by Roussel, Chausson and Debussy.

·         April 14, 1996 Pre-concert talk at Barnes and Noble, Lincoln Triangle.

      Music by Roussel, Chausson and Debussy.

·         March 12, 1996 Pre-concert panel at Menil Collection, Houston, before

      performances of Fixations and Viola Sonata.

·         March 3, 1996 Pre-concert talk American Symphony, Lincoln Center

      Music by Bach/Stokowski, McPhee, Ornstein, Elgar.

·         January 26, 1996 Pre-concert talk American Symphony, Lincoln Center.

      Music by Schoenberg, Goldschmidt, and Mendelssohn.

·         November 20, 1995 Talk honoring Leon Botstein at National Arts Club, NYC.

·         November 10, 1995 Pre-concert talk American Symphony, Lincon Center.

      Max Bruch’s Odysseus.

·         November 4, 1995 Chair Panel on Bartok, Alice Tully Hall, Lincoln Center.

      (Part of Bard Music Festival.)

·         October 1, 1995 Pre-concert talk American Symphony, Lincoln Center. Music by Myaskovsky, Khrennikov and Shostakovich.

·         August 12, 1995 Participated in panel on Bartok’s string quartets.  Bard

      Music Festival.

·         August 12, 1995 Pre-concert talk on Bartok’s music for children.  Bard

      Music Festival.

·         April 30, 1995 Pre-concert talk American Symphony, Lincoln Center. “War and Peace.”  Music of Blitzstein, Honegger and Strauss.

·         March 10, 1995  Pre-concert talk American Symphony, Lincoln Center. Music by Mendelssohn, Schoeck, and Szymanowski.

·         December 11, 1994 Pre-concert talk American Symphony, Lincoln Center.

Music by Stennhammer, D’Albert, Mozart, Rubinstein. (Richard Strauss Replica Concert.)

·         August 13, 1994 Pre-concert talk at Bard Music Festival, Bard College.

·         August 12, 1994 Panel at Bard Music Festival, Bard College.

·         May 22, 1994 Chaired Pre-concert Panel, American Symphony, 

      Lincoln Center. “The American 1980s”.

·         April 17, 1994 Panel for Center for Contemporary Opera at Jewish

      Theological Seminary, NYC.

·         November 27, 1989 Spoke about own music to graduate composition class at Queens College (auspices Thea Musgrave)

·         Sept. 6, 1989  Convocation Address at Vassar College, "Tribulations".

·         May 17, 1989  Talk about own music to composition seminar and additional public at San Francisco State University. (Seminar of Prof. Henry Onderdonk.)

·         May 8, 1989 Talk about own music to graduate seminar in

      composition at University of California at Berkeley. 

      (Seminar of Prof. Edwin Dugger.)

·         April 15, 1986 Separate talks about own music and about Stravinsky to

      general students at Colorado School of Mines, Golden, Colorado.

Bibliography:

·         "A Modernist with a Taste for the Premodern: Composer Richard Wilson" by James Reel. Fanfare, March/April 2001, pp. 93-98

• “New resources in twentieth-century piano music and Richard Wilson's Eclogue (1974)”  by Ping-Ting Lan (2000) Univ.of California Berkeley
• "Richard Wilson's Tribulations", in Vassar Quarterly,  Summer, 1993, pp. 18-21.

·         Classified Catalogue of the Works of Richard E. Wilson, compiled by Elinor G. Elder, of the University of Buffalo. (Unpublished.)

·         Doctoral dissertation on "The Piano Music of Richard Wilson", by Mary Frantz, at the University of Wisconsin at Madison.  Pub. UMI Dissertation Services. 1992

·         "Measure by Measure", by Dixie M. Sheridan, in Vassar Quarterly, Spring, 1989, p. 22-23.

·         "The Thrill of Discovery" by David Burge in Clavier, December, 1989, p. 43.

·         Essay on Richard Wilson's ECLOGUE by David Burge in Contemporary Keyboard, January, 1979, p. 54.

Biographical Listings:

The New Grove Dictionary of Music/ The New Grove Dictionary of American Music

Baker's Biographical Dictionary of Musicians

International Who's Who in Music and Musicians' Directory

Who's Who in America

Who's Who in American Music

The Harvard Dictionary of Composers