Schedule

 
September
October

November

December

 

What's musical urbanism?  why now?

September 5

FACTOR: The Foundation Assisting Canadian Talent on Recordings

Richard Florida, Cities and the Creative Class

The Urban Institute, “Cultural Vitality in Communities: Interpretation and Indicators”

Richard Florida, "Evolution of Popular Music"

DJ Quik, "Jus Lyke Compton" (1992)

 

Approaches to musical urbanism

September 12

Readings:

Mantle Hood, "Introduction." Pp. 1-23 in The Ethnomusicologist (Kent State University Press, 1971). [download from Blackboard: Readings]

Charlie Gillett, "Blues-Based Styles: Dancehall Blues, Club Blues, Bar Blues." Pp. 121-51 in The Sound of the City: The Rise of Rock and Roll (Da Capo, 1996 [1970]). [download from Blackboard: Readings]

Adam Krims, chaps. 1-2.

Suggested listening and viewing

 

Cabaret and Modern Europe

September 19

Readings:

Harold B. Segel, "Paris: Black Cats and Reed Pipes." Pp. 1-84 in Turn-of-the-Century Cabaret (Columbia University Press, 1987). [download from Blackboard: Readings]

Lisa Appignanesi, "The Roaring Twenties." Pp. 90-151 in The Cabaret (Universe Books, 1975). [download from Blackboard: Readings]

Peter Jelavic, "The Weimar Revue" and "Political Cabaret at the End of the Republic." Pp. 154-227 in Berlin Cabaret (Harvard University Press, 1993). [download from Blackboard: Readings]

Recommended readings:

"Life is a Weimar Dream, Old Chum, and Downtown Loves a Nouveau Cabaret" (New York Times, July 17).

Suggested listening and viewing.

 

The culture industries

September 26

Readings:

Theodor Adorno, "On the Fetish-Character in Music and the Regression of Listening" (1938). Pp. 270-99 in The Essential Frankfurt School Reader, edited by A. Arato and E. Gebhardt (Urizen Books, 1978). [download from Blackboard: Readings]

John Lovering, "The Global Music Industry: Contradictions in the Commodification of the Sublime." Pp. 31-56 in The Place of Music, edited by A. Leyshon, D. Matless and G. Revill (Guilford Press, 1998). [download from Blackboard: Readings]

Adam Krims chaps. 4-5.

Recommended readings:

Keith Negus, "Cultural Production and the Corporation: Musical Genres and the Strategic Management of Creativity in the US Recording Industry." Media, Culture & Society 20(1998): 259-79.

Suggested listening and viewing.

 

Tin pan alley

October 3

Essay questions due.

Reading:

Ken Emerson, Always Magic in the Air, especially chaps. 1-2, 4, 6-7, 9-10, 12, 14, 17-19.

Suggested listening and viewing.

 

Swinging London

October 10

Reading:

Shawn Levy, Ready, Steady, Go!, especially pp. 1-223 and 319-22.

Suggested listening and viewing.

 

Los Angeles and the singer-songwriter

October 24

Music review due.

Reading:

Barney Hoskyns, Hotel California, especially chaps. 1-8.

Suggested listening and viewing.

 

1970s New York City: an extended investigation

October 31

Reading:

Peter Shapiro, Turn the Beat Around, especially chaps. 1, 2 (pp. 57-74), 3 (pp. 89-96 and 108-115), 4-5, 6 (pp. 266-271) and 7.

Recommended reading:

"Summer of 'Son of Sam' a World Away" (AM New York, August 10, 2007). See accompanying photos here.

Suggested listening and viewing.

 

November 7

Reading:

Legs McNeil & Gillian McCain, Please Kill Me.

Suggested listening and viewing.

 

November 14

Cultural analysis paper due.

Reading:

Jeff Chang, Can’t Stop Won’t Stop.

Suggested listening and viewing.

 

Musical tourism

November 21

Reading:

David Grazian, Blue Chicago, especially Introduction, chaps. 1-2, 4-6.

Recommended readings:

"Laughs, Tears, Guitars" (concert review, Chicago Tribune, July 30, 2007).

Suggested listening and viewing.

 

November 28

Student presentations of final projects.

 

December 5

Student presentations of final projects (cont.).

 

December 13 (finals week)

Individual papers on final projects due.

 

 

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